A Quiet Loop of Making and Unmaking

I'm drawn to how things hold together — load paths, tolerances, the logic a structure obeys before it is allowed a shape. Industrial and mechanical design, for me, is a way of asking questions rather than a profession. The machines I design do not exist; I build them as if they must.

Mecha and science fiction are the engineering briefs, never the styling. I hold imagined hardware to real constraints — material limits, joint mechanics, the unglamorous arithmetic of motion — until form becomes the only answer left. Most of the work stays in digital space; some of it hardens into print.

Nashki is the name the work is filed under: a quiet loop of making and unmaking, where the dismantling counts as much as the build. I rarely explain the objects. What is worth knowing is already inside them.